and my most recent favourite bit of advice, forget about the editing…for now.
I am currently taking part in her First Draft Post Mortem course with Writers Victoria and think it is just brilliant. It’s a four week course where we dissect our manuscripts and reassemble them (taking the postmortem metaphor way too far, we are becoming Mary Shelleys I guess, although hopefully creating something far less monstrous 🙂 )
I missed the first installment of this class when the family and I were jaunting about in New Zealand, I had considered flying back early to attend the class but the cost was just crazy. After attending the second class, I kinda wish I had.
One of the things Toni spoke about that stuck quite firmly in my mind is not to consider the editing process at all when writing your first draft. The first draft should be the draft of your heart, the one that you love/have to write. Don’t think about story arcs, about character development, about internal, interpersonal and physical conflict, about three or five acts, about the creation and resolution of tension. Just write the damn thing. If you spend your time rereading and editing and being concerned about producing the perfect saleable or publishable manuscript while you are creating it, you run the risk of removing all your freshness and creativity.
It was such a nice thing to realise, to release myself from the pressure of editing until the story is written.
the draft of your heart
The frightening thing I next realised ws how vastly different my finished manuscript will ultimately be to my first draft. It’s incredible to think I will practically rewrite this entire thing! Holy moly!
Another little snippet I found reassurring was when I highlighted the fact that as my story evolved the voices of the two narrators have become more and more similar and I suspected I would need to rewrite narrator 2 in close third person. Toni revealed that she writes first in first person and then rewrites into third person, that way she finds she understands the character better. The rewrite will be a big job, but I now feel approaching it from this perspective, that it doesn’t need to be polished just yet, it has freed me up to finish writing the draft, continue in first person but not worry about the distinctiveness of the voices quite so much.
But woah nelly is there some work ahead of me!
Any suggestions on how to structure my weekend? I intend to greatly increase my manuscript’s word count, but think I also need to have a few other writing exercises – maybe some flash fiction (perhaps something from the previous challenges set by the brilliant Chuck Wendig), maybe a little rewrite of the first person 2nd narrator into a third person – open to suggestions.